Tomlinson’s collection is one that has gracefully eschewed fads and trends in favor of a timeless style. Citing “strength of imagery” and “distinctiveness” as deciding factors in his final selections, Mr. According to Seidemann, he’d wanted to shoot Joplin just topless, but she insisted on full nudity. The image captures a glimpse of hippie idealism during the late ’60s and ’70s. The collection’s impact was further reinforced by the artistic dialogue between works by the aforementioned photographers and those of non-fashion subject matter, such as Lynn Davis’s hauntingly beautiful icescapes. The photo of Janis Joplin nude became her most iconic image when it was published in Rolling Stone Magazine after her death in 1972. et in her short time between 19 she carved out a piece of music history that was. Joplin sang her own brand of the blues in an incendiary style. She died of a heroin overdose at age 27 on October 4, 1970. Horst, Melvin Sokolsky, and Albert Watson. In the Rock ‘n Roll firmament of the 1960s, Janis Joplin was a shooting star who burned white hot for five short years. Tomlinson’s collection gradually blossomed into a comprehensive repertoire, featuring works by photographers who, over the years, had come to form the pantheon of fashion photography, including Irving Penn, Horst P. With Herb Ritt’s Madonna, Hollywood, 1986, as one of the first seeds, Mr. Tomlinson began amassing a collection that was as informed by guidance from fellow collectors, dealers and curators, as much as an unwavering trust of his own impeccable eye. Quickly thereafter, upon recognizing the relatively undiscovered talent of the leading photographers with whom he was privileged to collaborate, as well as the ample opportunities presented by the then-budding market for fashion photography, Mr. Paul Tomlinson’s interest in fashion photography was triggered by his tenure as marketing director for an emerging fashion specialty chain in the late 1970s.
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